Professor ETO Nozomu
Faculty, Affiliation
Faculty of Education, Institute of Human and Social Sciences
College and School Educational Field
Division of Regional Development Studies, Graduate School of Human and Socio-Environmental Studies
Course in Curriculum Studies, School of Teacher Education, College of Human and Social Sciences
Laboratory
TEL:076-264-5582 FAX:
Academic Background
【Academic background(Doctoral/Master's Degree)】
Kumamoto University Master Graduate School, Division of Education 199403 Completed
【Academic background(Bachelor's Degree)】
Kumamoto University 199203
Career
(1994/04/01-1998/03/31)
(1998/04/01-2001/09/30)
Kumamoto University
Toyama University(2013/04/01-2014/03/31)
Year & Month of Birth
1968/07
Academic Society
Award
○36th nitten tokusen(2004/11/17)
○36th nitten tokusen(2004/11/17)
○61th gendaibijyutsu-ten isyokusyou(2005/04/05)
○61th gendaibijyutsu-ten isyokusyou(2005/04/05)
○61th gendaibijyutsu-ten isyokusyou(2005/04/05)
○61th gendaibijyutsu-ten isyokusyou(2005/04/05)
Specialities
Art at large、Education on school subjects and activities、Cultural assets study and museology
Speciality Keywords
sculpture,modeling,statuary,Rodin
Research Themes
Sculpture production
Formative elements in sculpture
A study of the techniques of decorative art crafts in frescoes.
study of Rodin's sculpture
Books
Papers
- Techniques for Embossing Nimbus in “The New Testament Cycle” of Frescos in the Collegiate Church San Gimignano 53 49-56 2021/03/31
- The Temporal Element in Sculpture 2-The Rerations between Figurative Imperfection and Temporal Element- 54 33-44 2005/02
Conference Presentations
Others
Arts and Fieldwork
○dai83kai hakujitsuten(2007/03/26-2007/04/04)(result：nagashimabijyutsukan kancho sho)
○『黒について』(2022/03/23-2022/03/31)
○『失われたイデア』(2022/11/02-2022/12/27)(place：東京)
○やわらかい時間(2022/04/01-2022/04/18)
Patent
Theme to the desired joint research
Grant-in-Aid for Scientific Research
○「シエナ派のフレスコ画におけるストゥッコ技法について」(2017-2021)
○「フレスコ壁画における工芸的装飾技法の研究」(2011-2015)
○「フレスコ壁画における工芸的装飾技法の実証的研究」(2014-2016)
Competitive research funding,Contribution
Collaborative research,Consignment study
Classes (Bachelors)
○Sculpture I(2020)
○Directed Research in Sculpture Work(2020)
○Sculpture III(2020)
○Fundamentals of Sculpture(2020)
○Sculpture II(2020)
○Arts and Self-Expression(2020)
○Studies in Teaching of Art I(2017)
○Fundamentals of Sculpture(2017)
○Studies in Curriculum Design for Art Education II(2017)
○Painting and Sculpture(2017)
○Arts and Self-Expression(2017)
○Methods of Teaching Arts and Crafts(2017)
○Arts and Self-Expression(2017)
○Arts and Self-Expression(2017)
○Arts and Self-Expression(2017)
○Sculpture I(2017)
○Studies in Curriculum Design for Art Education I(2017)
○Directed Research in Sculpture Work(2017)
○Sculpture III(2017)
○Sculpture II(2017)
○Directed Research in Sculpture Work(2016)
○Painting and Sculpture(2016)
○Sculpture II(2016)
○Studies in Curriculum Design for Art Education I(2016)
○Studies in Curriculum Design for Art Education II(2016)
○Sculpture III(2016)
○Sculpture I(2016)
○Studies in Teaching of Art I(2016)
○Methods of Teaching Arts and Crafts(2016)
○Fundamentals of Sculpture(2016)
○Arts and Self-Expression(2016)
○Arts and Self-Expression(2016)
Classes (Graduate Schools)
○Fundamentals of Sculpture(2017)
○Seminar in Curriculum Content of Arts and Crafts B(2016)
○Topics in Curriculum Content of Arts and Crafts B(2016)